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  <url>
    <loc>https://www.criticschronicle.com/features/review-kyle-coniglio-richard-heller</loc>
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    <lastmod>2025-06-02</lastmod>
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      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio: No More I Love You’s, installation view, Richard Heller Gallery, Los Angeles</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/893e10bf-80d7-4cb2-a2d5-4e49e347d21d/_ASP9301.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio, Movie Night IIIV: Scream Queens, 2025. Oil on linen, 40 x 48 in (101.6 x 121.9 cm). Courtesy the artist and Richard Heller Gallery, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/97b2b781-4113-4ab4-ac10-8826ae4a7e40/_ASP9271.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio: No More I Love You’s, installation view, Richard Heller Gallery, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/9fc3f376-a552-4ba9-874c-33457d8dc1a8/_ASP9282.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio: No More I Love You’s, installation view, Richard Heller Gallery, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/e3bd655b-6742-478f-9bcf-78bf66bd422c/_ASP9289.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio, Cast Trio, 2025. Oil on linen, 46 x 42 in (116.8 x 106.7 cm). Courtesy the artist and Richard Heller Gallery, Los Angeles</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/interview-andrew-holmquist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f7141d93-65ac-4dc5-b81f-9eecef194f66/Headshot+2.JPG</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist</image:title>
      <image:caption>Andrew Holmquist in his LA studio. Photo by Daniel Jaesik Lee. Courtesy the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6d501034-2051-4e6e-9df5-fefdbec8ebe1/16.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Installation view, Interpenetrate, North Loop West, Los Angeles, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1eb7d231-7641-4398-81dd-0146c4683239/3.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Berlin Apartment, 2023, oil on canvas, 50 x 60 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/ab574fcc-4306-4378-8643-e19fb968052a/1.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Utopia, 2022, oil on canvas, 96 x 72 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/3b17edac-e0b8-4987-99fb-39fdd3684e35/2.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Installation view Ecstatic Time, Five Car Garage, Los Angels, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/b36e33ac-16c6-483e-b732-026b49f2b284/11.JPG</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Installation view, The Elysian Fields, Galerie Lefebvre &amp; Fils, Paris, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/cfab4d0d-0b26-4dd9-b436-753d36f9fa8b/10.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Mt. Washington 8, 2022, oil on canvas, 60 x 50 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f0215025-a899-44b6-8314-e3dcc55d4a42/13+%281%29.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>June, 2024, glazed stoneware and porcelain slip, 19 x 18 x 17 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/88f70da2-d952-46ee-a863-61182a84f114/12.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Mother, 2025, glazed stoneware and porcelain slip and glazed porcelain with electric light, 36 x 27 x 21 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6f8855cf-294a-499d-8ff8-9b013655e905/8.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Ian Outside, 2024, oil on canvas, 60 x 50 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/in-the-studio-claudia-doring-baez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-20</lastmod>
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      <image:title>Features - In the Studio with… Claudia Doring Baez</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d473627e-d9d9-4fb1-800f-569f795debdd/L1200650.jpg</image:loc>
      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d53eb1da-b954-4bc7-bd9e-b37286d233b4/L1200632.jpg</image:loc>
      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/ed60f4fc-5216-4ca6-9f73-d2e78af8d1c8/L1200698.jpg</image:loc>
      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7ebedf35-9e76-463e-9630-c4c4be75a3e6/L1200676.jpg</image:loc>
      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/clare-woods-2ment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c55decae-47b8-413e-8bcf-4ed14a52ca6f/rebecca+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down</image:title>
      <image:caption>Portrait of Rebecca Ward. Courtesy the artist; and Peter Blum Gallery .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a66475e3-b81a-4b84-aca7-b9bbc1c4ad36/soft+landing+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, “soft landing”, 2024. Acrylic and dye on stitched canvas and linen. 96 x 72 inches (243.8 x 183 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f221b109-958c-46a9-b84d-6c791eb46549/ward+install+1.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward: vector specter, installation view, Peter Blum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a085289b-6e2e-43c8-ab0f-900c374291d1/install+2.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward: vector specter, installation view, Peter Blum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/390ef032-a956-485f-9373-0e79876ca105/open+secret+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, 'open secret', 2025. Acrylic and dye on stitched canvas 40 x 48 inches (101.6 x 122 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/b4a16875-a957-4853-964e-af1afee40654/bite+marks+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, ‘bite marks II’, 2025. Acrylic and dye on stitched canvas 18 x 13 1/2 inches (45.7 x 34.3 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/51eac6fc-db4d-477a-a89f-6278b565ce29/sea+creature+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, 'sea creature', 2024. Acrylic and dye on stitched canvas and linen 96 x 72 inches (243.8 x 183 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/new-york-art-fair-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6f209f1c-5bbf-46dd-8a7c-648f78ca8837/54503227472_793ab72a9c_k.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Frieze New York, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f4368025-f9d6-4698-9633-95e39734afd9/54505913341_7246314cb7_k.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Frieze New York, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8a2df3c8-c645-49a2-9885-0eb798de9a80/Polly+Apfelbaum_Off+Grid.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Polly Apfelbaum, Off Grid, 2025. Terracotta and glaze, 58.4 × 43.2 cm. Courtesy Frith Street Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d963ea3b-fb42-46c4-b5af-7e491dbf9374/008_Hug_Smit_May2025_5769.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>A Hug From The Art World at Independent Art Fair, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7195a235-1df2-48d5-a06d-c1444855e054/d7hftxdivxxvm.cloudfront-54.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Eva Struble, Panamint, 2025. Acrylic and oil on canvas, 40 × 30 in (101.6 × 76.2 cm). Courtesy the artist and Jane Lombard, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6c1c2635-3b3a-4c0f-85f9-a776fc7fc0ca/NADA+NY0296-L.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Saenger Galería at NADA New York. Courtesy Saenger Galería</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2cde6d15-5445-4217-a9b1-e95bff6cc0da/SB-238-image.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Sarah Bedford at Mrs.’s booth, NADA New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/678c9d2d-1ab9-44f6-a4ae-d5a14af5aba7/1746130265-kangdz52wshow2025_install_v13.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Lotus L. Kang, Installation view, 2025. Courtesy the artist and 52 Walker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d028dd88-30c2-48e0-b6e9-53c549219887/dscf0044-2.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Installation view of Pirelli, let me count the ways [Part II] at Jane Lombard Gallery, New York. Photo credit: Adam Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/265f4aa1-876e-4f78-9f79-ba747a8de614/theodora-allen-kasmin-install2025-0007.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Theodora Allen: Oak, installation view, Kasmin Gallery, New York. Courtesy the artist and Kasmin Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1ad39fab-766e-498d-9be5-520cdac30917/The_Artist_Code-Shaderism.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Remix The Archive, installation view. Courtesy Dunkunsthalle, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d3d84cbf-fa67-4149-90ad-3c7741c8c254/0590957989ad10286af304514bb6c769.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Salman Toor, The Scroller, 2024. 16 x 20 inches (40.6 x 50.8 cm). Courtesy the artist and Luhring Augustine, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a6d51c88-8c89-4cf2-9278-245f2d2402f8/_MG_9741.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Carl D’Alvia, Tandem, 2025. Courtesy the artist and HESSE FLATOW, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c8d5a818-1351-4fbe-93c6-00659e1de042/RuStillPaintin03.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>R U STILL PAINTING???, installation view. Courtesy FALCON Art Collective</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/interview-gabriela-salazar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/5b746ac5-8780-4c32-890a-f2acdbddbe5e/241106_GabrielaSalazar_2.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/4dc22744-7fae-418a-ad19-2c9f072bc79a/241022_GabrielaSalazar_3.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Gabriela Salazar, The sinkhole, Dinosaur Playground, 2024. Graphite on paper, 30 x 22 1/2 in (76.2 x 57.1 cm). Photo by Inna Svyatsky, Courtesy the Artist and Efraín López</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2f4290f8-54a6-4ae1-952f-9aa2e588fb76/241106_GabrielaSalazar_4.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/aa21eb68-521e-42f7-8985-4113178a0fc7/241106_GabrielaSalazar_8.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Gabriela Salazar, Compendium (1), 2024. Steel, aluminum, found steel plumb bob, 127 x 24 in (322.6 x 61 cm). Photo by Inna Svyatsky, Courtesy of Efraín López</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/cd3d22b1-fd67-4f3f-9895-698469454520/241106_GabrielaSalazar_5.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6f41b7cc-2a11-460f-929b-9d42d2047074/241106_GabrielaSalazar_9.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/clare-woods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/42c4bc53-6c87-42c8-a765-a2fdd5f88de0/clare+woods+portrait.jpeg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life</image:title>
      <image:caption>Portrait of Clare Woods, 2023. Courtesy the artist; Royal Academy of Arts, London; and Stephen Friedman Gallery, London and New York. Photo by Anne Purkiss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/b3397b52-b48f-4752-ad0d-604a02f1d832/The+Victory+Garden</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'The Victory Garden', 2025. Oil on aluminium, 100 x 150cm (39 3/8 x 59in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/ef44daee-1b5a-4301-931f-c14f9d266236/250306_sfg_010.jpeg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods: A Kinder Time, installation view, Stephen Friedman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/adcc7988-8ed5-4e6a-804b-83208d6cf196/250306_sfg_003.jpeg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods: A Kinder Time, installation view, Stephen Friedman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2129ed66-911e-4569-948c-d48e7042339c/CLAR+51+Valley+Forge+1.jpg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'Valley Forge', 2024. Oil on aluminium, 200 x 200cm (78 3/4 x 78 3/4in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/fffcd1d2-4c9a-4147-8259-288f98f8d997/CLAR+55+Cold+Case+1.jpg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'Cold Case', 2025. Oil on aluminium, 90 x 70cm (35 3/8 x 27 1/2in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7d978769-cc58-44e0-8bde-12c2158a8a09/CLAR+53+The+Stand+1.jpg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'The Stand', 2025. Oil on aluminium, 150 x 150cm (59 x 59in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/mark-yang-clubhouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/5fcdced1-76a0-4c0d-9700-8087c2cd94b4/Install-1+%281%29.jpg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body</image:title>
      <image:caption>Mark Yang, installation view, CLUBHOUSE. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0d02a913-3c75-4f08-b930-994b232cf78f/3895690574910a884f5055b6318cd2a7j-1.jpeg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, Analogous, 2024-25. Oil and charcoal on canvas, 76 x 50 in. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/621ddd5b-83dc-4863-b08e-6392d36a226b/d5e5c0f33218adc283c48a048ef7510ej-1.jpeg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, Picnic With a Sculpture, 2024-25. Oil and charcoal on canvas, 42 x 56 in. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/4f79b8e1-2afb-49f8-b8e2-b419dbfccff6/Install-3.jpg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, installation view, CLUBHOUSE. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0775ab02-20f7-42c4-8b47-f84c57774b45/d828687ac4ef8ae00e69fee12d38606dj.jpeg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, Yoga With a Sculpture, 2024. Oil and charcoal on canvas, 42 x 56 in. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d014ee06-695b-4b71-a990-4d18c08c8520/Install-5+%281%29.jpg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, installation view, CLUBHOUSE. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/xiao-wang-seeing-through</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/504eb912-5c4e-4e52-8f58-7ae3a330719f/001_hesseflatow_feb2025_bsm_5117.jpeg</image:loc>
      <image:title>Features - Anatomy of a Painting: Xiao Wang's Seeing Through</image:title>
      <image:caption>Xiao Wang, Seeing Through, 2024. Oil on linen, 50 x 100 inches (127 x 254 cm). Courtesy the artist and HESSE FLATOW, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/fd1611b8-25fe-4638-af10-1d66b19341d3/IMG_6736.jpg</image:loc>
      <image:title>Features - Anatomy of a Painting: Xiao Wang's Seeing Through - Make it stand out</image:title>
      <image:caption>Xiao Wang, Seeing Through, 2024, detail. Oil on linen, 50 x 100 inches (127 x 254 cm). Courtesy the artist and HESSE FLATOW, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/34c4774a-9bf1-417c-aaa5-de73d085a7f9/wang_seeing-through_install-6a.jpeg</image:loc>
      <image:title>Features - Anatomy of a Painting: Xiao Wang's Seeing Through - Make it stand out</image:title>
      <image:caption>Xiao Wang: Seeing Through, installation view, February 14 - March 15, 2025, HESSE FLATOW, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/owen-fu-ppow-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/09d6cfe4-1f71-476d-a3ea-14dd9a52856d/8b32d717ee6eea8a3c685d8dfb2b9086.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire</image:title>
      <image:caption>Owen Fu: Own Alone, installation view, P•P•O•W. Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/e5a8c61c-5ec4-4735-be89-ef0506a8409c/f4bdd2cc5cfe1338148bdef180957de2.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu, My Father’s Back, 2024, oil on canvas, 60 x 84 ins. (152.4 x 213.4 cm). Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2ca0d6ea-f76f-45b8-a72f-c54540e013ab/d4018e80c781e5917af0f03d9b5f0643.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu: Own Alone, installation view, P•P•O•W. Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/16468419-4956-423a-9dd0-fff8f244e71d/e2df0ea537904e0f57352462127192bf.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu: Own Alone, installation view, P•P•O•W. Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0456b190-6b8a-4334-8da3-04504b73abd8/4663c9dced6b653aa054804cfa74bd3e.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu, Untitled (Partridge 鹧鸪天), 2022, oil on linen, 42 x 42 ins. (106.7 x 106.7 cm). Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/olivia-gossett-cooper-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/b327d8d5-8402-4cba-b1a1-a5ade83de975/4CD39780-C6B3-4548-8AAB-6C94802A7CFC+%281%29.jpeg</image:loc>
      <image:title>Features - Olivia Gossett Cooper at The Empty Circle</image:title>
      <image:caption>Olivia Gossett Cooper: Forms of Dynamics, installation view, The Empty Circle, Brooklyn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/024f42a8-02a3-4ccd-a902-3d78a6808c71/IMG_7804+%281%29.jpeg</image:loc>
      <image:title>Features - Olivia Gossett Cooper at The Empty Circle - Make it stand out</image:title>
      <image:caption>Olivia Gossett Cooper: Forms of Dynamics, installation view, The Empty Circle, Brooklyn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/aa7d2615-4a65-4f7f-bbcc-23ea76898e11/DSC00526+copy+%282%29.jpg</image:loc>
      <image:title>Features - Olivia Gossett Cooper at The Empty Circle - Make it stand out</image:title>
      <image:caption>Olivia Gossett Cooper: Forms of Dynamics, installation view, The Empty Circle, Brooklyn</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/transforming-spaces-creating-narratives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/fc6fb9e0-a75f-48fd-89fa-44ed88d880ac/320_N35.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>Modern Art Oxford. Photo by Dan Weill. Courtesy David Kohn Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/5609d9fe-63a6-48f7-82bf-d9a235b080ef/320_N61.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives</image:title>
      <image:caption>Modern Art Oxford. Photo by Dan Weill. Courtesy David Kohn Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0dc20661-be4b-426d-b623-3e52e13cdc67/207_N247.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>Red House, RIBA House of the Year 2022. Photo: Will Pryce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a50ab67b-b4f9-49a7-8cb6-4cb64db61a67/327_N18.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>View from the proposed Collectihuis towards the SMAKhal. Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7cef1fbd-9586-44bc-85cd-b08eb2676fbc/327_N168+%281%29.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>The proposed redesign the SMAK Museum in Ghent, Belgium. Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/tschabalala-self-jeffrey-deitch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1bc5e580-0b7e-46a5-8890-09c30daba529/photo-joshua_white-jwpictures.com-4q6a2075-1000x667.jpg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c30c3b6f-cb39-4f5c-9be5-805dfbc569ef/photo-joshua_white-jwpictures.com-4q6a2127-1500x1000.jpg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/126e779a-7495-4244-b1a2-bdeed07d45da/01.jpeg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self, Dream Girl, 2025. Courtesy the artist and Jeffrey Deitch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c16ad6e8-09f8-421a-92ca-d1ffcb4f53c1/photo-joshua_white-jwpictures.com-4q6a2092-1000x667.jpg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/dacd0aa2-2237-45c5-b9d3-fead2860b27c/photo-joshua_white-jwpictures.com-4q6a2086-1000x667.jpg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/emphatic-design-amdgk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/e2e3938d-13ef-4d40-88c3-c62c195340b8/250128_TLenz_Stilin_AnnNortonPB4728.jpg</image:loc>
      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven - Make it stand out</image:title>
      <image:caption>Robert Stilin and Sarah Gavlak. Photo by Tim Lenz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/e7d6d9c2-411d-4c0f-9761-0f2b332430a0/250128_TLenz_Stilin_AnnNortonPB4614.jpg</image:loc>
      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven - Make it stand out</image:title>
      <image:caption>Living with Art and Design, a striking exhibition at the Ann Norton Sculpture Gardens in West Palm Beach. Photos by Tim Lenz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1739306311891-BXZQOILPZ2VO6S8O0XEX/250128_TLenz_Stilin_AnnNortonPB4597+1.jpg</image:loc>
      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1739306321753-MHNO9PE2W0GNS9YLFS0K/250128_TLenz_Stilin_AnnNortonPB4668.jpg</image:loc>
      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1739306327172-1QMJHT00D9TTAKGUWB3V/250128_TLenz_Stilin_AnnNortonPB4660.jpg</image:loc>
      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
    </image:image>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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  <url>
    <loc>https://www.criticschronicle.com/features/from-beats-to-brushstrokes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
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      <image:title>Features - Brandon Deener’s Journey Through Sound and Color</image:title>
      <image:caption>Brandon Deener. Courtesy the artist.</image:caption>
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    <image:image>
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      <image:title>Features - Brandon Deener’s Journey Through Sound and Color - Make it stand out</image:title>
      <image:caption>Resonance à la Galerie 75 Faubourg, Paris, France. Photo : Grégory Copitet. © Brandon Deener.</image:caption>
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    <image:image>
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      <image:title>Features - Brandon Deener’s Journey Through Sound and Color</image:title>
      <image:caption>Brandon Deener, Serenade The City, 2024. Oil on Canvas, 60 x 48 inches. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/dbe479db-59e5-4d6d-b085-c23b6382658e/image4+%281%29.jpeg</image:loc>
      <image:title>Features - Brandon Deener’s Journey Through Sound and Color - Make it stand out</image:title>
      <image:caption>Brandon Deener, Statuesque, 2024. Oil on Canvas, 72 x 60 inches. Courtesy the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8c4b0ead-b306-49a8-94b9-155cd72bfff0/image7.jpeg</image:loc>
      <image:title>Features - Brandon Deener’s Journey Through Sound and Color - Make it stand out</image:title>
      <image:caption>Brandon Deener, The Onliest Thelonious, 2024. Marker, Oil, Oil Wash and Pigment Stick on Canvas, 60 x 60 inches. Courtesy the artist.</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/shaun-pierson-portfolio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-06</lastmod>
    <image:image>
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      <image:title>Features - Portfolio: Shaun Pierson</image:title>
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      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8b4b3072-deb4-4c63-a8a6-fb2adc7f5406/Pierson_Untitled%2B%28The%2BCowboy%29.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7ee61daf-214a-49cd-bb6e-c868745d6cae/Pierson%2B%28Living%2BRoom%29%2B-%2BThesis%2BPrint.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f19f7215-b9ca-4c73-9012-c2f17ca247e9/Seat%2BStain%2B%283000dpi%29.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/865c91dc-c33b-44c5-9ade-83cd1d733e2e/Pierson_Untitled%2B%28Cake%29.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/allan-wexler-form-fiction-wbj9f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/774fad57-c6cb-44f5-bad3-50e8b2988855/JEAN-BAPTISTE+BERNADET+INSTALLATION+VIEWS+ARGB+2025_00000000-046c-7fc4-0000-00000001e08e.jpeg</image:loc>
      <image:title>Features - Painting as Process and Reinvention</image:title>
      <image:caption>Installation view of Jean-Baptiste Bernadet’s Successo Evidente (Hidden Tracks) at Almine Rech Brussels. Photo by Useful Art Services</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0e3b1875-d149-4310-8280-f1df13885c7c/JBE0457+BERNADET+2014_00000000-046c-7fc4-0000-00000001dd60.jpeg</image:loc>
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      <image:caption>Jean-Baptiste Bernadet, Untitled (Briefly Gorgeous VIII), 2014 - 2024. Silkscreen ink on canvas (printed by Manor Grunewald Studio in Ghent), 120 x 100 cm (47 x 39 1/2 in). Courtesy the artist and Almine Rech</image:caption>
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      <image:title>Features - Painting as Process and Reinvention - Make it stand out</image:title>
      <image:caption>Installation view of Jean-Baptiste Bernadet’s Successo Evidente (Hidden Tracks) at Almine Rech Brussels. Photo by Useful Art Services</image:caption>
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      <image:title>Features - Painting as Process and Reinvention - Make it stand out</image:title>
      <image:caption>Installation view of Jean-Baptiste Bernadet’s Successo Evidente (Hidden Tracks) at Almine Rech Brussels. Photo by Useful Art Services</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/nick-cave-artwork-month-february</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-24</lastmod>
    <image:image>
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      <image:title>Features - Artwork of the Month: Nick Cave’s Monumental Body</image:title>
      <image:caption>Nick Cave, Amalgam (Origin), 2024. Bronze, 309 5/8 x 201 x 227 inches. Courtesy the artist and Jack Shainman Gallery, New York.</image:caption>
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  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/caroline-coon-francesca-dimattio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/9d34c40a-c9b7-421e-aed5-e45f52fa6fcc/SFG_04.jpg</image:loc>
      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Installation: Caroline Coon and Francesca DiMattio, ‘Snapdragons’, Stephen Friedman Gallery, New York (2025). Courtesy Stephen Friedman Gallery, London and New York. Photos by Grace Dodds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/3f855c18-c613-48ec-9204-11bd1f7fd882/COON+76+Cunt+1+%281%29.jpg</image:loc>
      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Caroline Coon, Cunt, 1999. Oil on canvas, 76 x 61cm (29 7/8 x 24in). Copyright Caroline Coon. Courtesy the artist and Stephen Friedman Gallery, London and New York. Photo by Todd-White Art Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0c8fdf40-54dc-485d-b246-636c3c7d14e9/DIMAT+07+Teddybear+Caryatid+1+%282%29.jpg</image:loc>
      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Francesca DiMattio, Teddy Bear Caryatid, 2022-2025. Glaze on porcelain and stoneware, 236.2 x 99.1 x 78.7cm (93 x 39 x 31in). Copyright Francesca DiMattio. Courtesy the artist and Stephen Friedman Gallery, London and New York and Pippy Houldsworth, London. Photo by Karen Pearson.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Installation: Caroline Coon and Francesca DiMattio, ‘Snapdragons’, Stephen Friedman Gallery, New York (2025). Courtesy Stephen Friedman Gallery, London and New York. Photos by Grace Dodds.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/ellen-siebers-portfolio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d4633fa6-4d9a-43b9-b367-22a342e8427e/PH_ES_dream_2024.jpg</image:loc>
      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>Dream (2024)</image:caption>
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      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>First Light (2024)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0eed3809-940b-4fb3-b389-def2901d72b1/Elle+Siebers+-+Cadet+Capela.jpg</image:loc>
      <image:title>Features - Portfolio: Ellen Siebers</image:title>
      <image:caption>Dreamer II (2024)</image:caption>
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      <image:title>Features - Portfolio: Ellen Siebers</image:title>
      <image:caption>Friendship (2024)</image:caption>
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      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>November (2024)</image:caption>
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      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>Redfruit (2024)</image:caption>
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      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>Bather (2024)</image:caption>
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  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/sky-glabush-living-canvas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a141f48b-76bc-471e-9b93-473f33a1c3a5/L1190454+copy.jpg</image:loc>
      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted'</image:title>
      <image:caption>Sky Glabush at Stepeh, 2024. Photo by Alejandro Jassan Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/57eafed4-f22c-404f-b129-d2a76de7cef5/File+8.jpg</image:loc>
      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush in his studio. Photo by David Hartman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8f9e948a-57ce-441b-9943-782fdb96b0bd/File+6.jpg</image:loc>
      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush in his studio. Photo by David Hartman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/598c6ab5-6349-4bb7-b11d-bd8030f52c4d/SKY+43+The+letters+of+this+alphabet+were+trees+1.jpg</image:loc>
      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush, ‘The letters of this alphabet were trees’, 2024. Oil and sand on canvas, 274.32 x 213.36cm (108 x 84in). Copyright Sky Glabush. Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/80378849-c566-4d14-80ea-10f7f573f44c/File+3.jpg</image:loc>
      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush in his studio. Photo by David Hartman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/jessica-cannon-cosmic-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0eba42d6-58df-4e93-9342-1c1dee0646bc/Install-5_LO.jpg</image:loc>
      <image:title>Features - Jessica Cannon’s Cosmic Landscapes</image:title>
      <image:caption>Jessica Cannon: Eternal Geometries at GAVLAK, West Palm Beach. Courtesy the artist and GAVLAK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a8b704b4-22ba-4fa9-aa93-a790a4745cb3/_JSP3065-Pano-full-v2Sat.jpg</image:loc>
      <image:title>Features - Jessica Cannon’s Cosmic Landscapes</image:title>
      <image:caption>Suspension, 2025, acrylic and iridescent pigments on linen, 72 x 120 inches (182.9 x 304.8 cm). Courtesy the artist and GAVLAK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/3525938c-46ff-4db7-b1fc-c3581b4f60af/Install-9.jpg</image:loc>
      <image:title>Features - Jessica Cannon’s Cosmic Landscapes - Make it stand out</image:title>
      <image:caption>Jessica Cannon: Eternal Geometries at GAVLAK, West Palm Beach. Courtesy the artist and GAVLAK</image:caption>
    </image:image>
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    <loc>https://www.criticschronicle.com/features/category/Featured</loc>
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