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    <loc>https://www.criticschronicle.com/features</loc>
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    <lastmod>2026-06-13</lastmod>
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    <loc>https://www.criticschronicle.com/features/evatellier-the-overflow</loc>
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    <lastmod>2026-06-13</lastmod>
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      <image:title>Features - Eva Tellier: The Overflow - Make it stand out</image:title>
      <image:caption>Installation view: ant/i/bodies, 2025. Ceramic, silicone, human hair, beeswax, rubber, cast aluminum, and sand blasting medium, Fosdick-Nelson Gallery, Alfred, New York.</image:caption>
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      <image:title>Features - Eva Tellier: The Overflow - In the gothic, the sublime lurks beyond the valley, as beauty and terror, virtue and vice, dance in an enticing melodrama. While traditionally associated with the Victorian novel, the gothic can be viewed as a mode of cultural production, or a broad field of moral and aesthetic concerns which fluidly shapeshifts throughout time as the foundations of morality and aesthetics are rebuilt. The gothic extracts and interrogates society’s repressed waste, codified according to its temporal and cultural milieu. The horrors of Jane Eyre, or even Alien, might still resonate today, but likely won’t induce the terror they once did.  Tellier makes me wonder: where is the gothic today?</image:title>
      <image:caption>Cradleme, 2025. Ceramic, steel, glass, silicone, and sand blasting medium.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/5b284192-24ef-4812-95ed-ce1a03e1bbdd/Screenshot+2026-06-13+at+2.19.53%E2%80%AFPM.png</image:loc>
      <image:title>Features - Eva Tellier: The Overflow - The hypnotic allure remains as you gaze into Chair et poil (Flesh and Fur) (2025), an urge to caress these pulpy surfaces; to sit in that hairy cradle; to indulge in the taboo. For Georges Bataille, another influence on Tellier, erotic transgression enacted a form of liberation, a holy, transcendent escape from the bound self. I like to think of these objects as transcendent entities: utopian bodies freed by transgression, the contemporary repressive adopting sublime form. They stand there, tempting you to join their orbit. Will you indulge? Will you, too, dare to overflow? Few people read queerness in Tellier’s work—perhaps because the gothic is generally associated with the feminine abject and because there’s something of the monstrous-feminine in her ceramic language. But I think she also touches on queer horror—the queer subject as a fragmented entity confronted by their own otherness, internalizing their status as self-consuming parasites. Artists like Robert Gober or Félix González-Torres also attempted to express this queer existentialism through disembodiment, particularly in response to the HIV/AIDS crisis. However, Tellier takes that exploration into cosmic territory, paradoxically tapping into something more intimate.</image:title>
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  <url>
    <loc>https://www.criticschronicle.com/features/review-kyle-coniglio-richard-heller</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-06-13</lastmod>
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      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio: No More I Love You’s, installation view, Richard Heller Gallery, Los Angeles</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/893e10bf-80d7-4cb2-a2d5-4e49e347d21d/_ASP9301.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio, Movie Night IIIV: Scream Queens, 2025. Oil on linen, 40 x 48 in (101.6 x 121.9 cm). Courtesy the artist and Richard Heller Gallery, Los Angeles</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/97b2b781-4113-4ab4-ac10-8826ae4a7e40/_ASP9271.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio: No More I Love You’s, installation view, Richard Heller Gallery, Los Angeles</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/9fc3f376-a552-4ba9-874c-33457d8dc1a8/_ASP9282.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio: No More I Love You’s, installation view, Richard Heller Gallery, Los Angeles</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/e3bd655b-6742-478f-9bcf-78bf66bd422c/_ASP9289.jpg</image:loc>
      <image:title>Features - Review: A Queer Twist on Classic Narratives - Make it stand out</image:title>
      <image:caption>Kyle Coniglio, Cast Trio, 2025. Oil on linen, 46 x 42 in (116.8 x 106.7 cm). Courtesy the artist and Richard Heller Gallery, Los Angeles</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/interview-andrew-holmquist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f7141d93-65ac-4dc5-b81f-9eecef194f66/Headshot+2.JPG</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist</image:title>
      <image:caption>Andrew Holmquist in his LA studio. Photo by Daniel Jaesik Lee. Courtesy the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6d501034-2051-4e6e-9df5-fefdbec8ebe1/16.jpg</image:loc>
      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Installation view, Interpenetrate, North Loop West, Los Angeles, 2025</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Berlin Apartment, 2023, oil on canvas, 50 x 60 inches</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Utopia, 2022, oil on canvas, 96 x 72 inches</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Installation view Ecstatic Time, Five Car Garage, Los Angels, 2022</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Installation view, The Elysian Fields, Galerie Lefebvre &amp; Fils, Paris, 2022</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Mt. Washington 8, 2022, oil on canvas, 60 x 50 inches</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>June, 2024, glazed stoneware and porcelain slip, 19 x 18 x 17 inches</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Mother, 2025, glazed stoneware and porcelain slip and glazed porcelain with electric light, 36 x 27 x 21 inches</image:caption>
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      <image:title>Features - Fragments of Identity: Andrew Holmquist - Make it stand out</image:title>
      <image:caption>Ian Outside, 2024, oil on canvas, 60 x 50 inches</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/in-the-studio-claudia-doring-baez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-20</lastmod>
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      <image:title>Features - In the Studio with… Claudia Doring Baez</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
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      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d53eb1da-b954-4bc7-bd9e-b37286d233b4/L1200632.jpg</image:loc>
      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
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      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
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      <image:title>Features - In the Studio with… Claudia Doring Baez - Make it stand out</image:title>
      <image:caption>Claudia Doring Baez in her Brooklyn studio. Photo by Weng Yee Mooi. Courtesy the artist.</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/clare-woods-2ment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c55decae-47b8-413e-8bcf-4ed14a52ca6f/rebecca+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down</image:title>
      <image:caption>Portrait of Rebecca Ward. Courtesy the artist; and Peter Blum Gallery .</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a66475e3-b81a-4b84-aca7-b9bbc1c4ad36/soft+landing+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, “soft landing”, 2024. Acrylic and dye on stitched canvas and linen. 96 x 72 inches (243.8 x 183 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f221b109-958c-46a9-b84d-6c791eb46549/ward+install+1.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward: vector specter, installation view, Peter Blum Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a085289b-6e2e-43c8-ab0f-900c374291d1/install+2.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward: vector specter, installation view, Peter Blum Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/390ef032-a956-485f-9373-0e79876ca105/open+secret+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, 'open secret', 2025. Acrylic and dye on stitched canvas 40 x 48 inches (101.6 x 122 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/b4a16875-a957-4853-964e-af1afee40654/bite+marks+ward.jpeg</image:loc>
      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, ‘bite marks II’, 2025. Acrylic and dye on stitched canvas 18 x 13 1/2 inches (45.7 x 34.3 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
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      <image:title>Features - Rebecca Ward: Building Up to Break Down - Make it stand out</image:title>
      <image:caption>Rebecca Ward, 'sea creature', 2024. Acrylic and dye on stitched canvas and linen 96 x 72 inches (243.8 x 183 cm). Courtesy the artist and Peter Blum Gallery, New York.</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/new-york-art-fair-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-12</lastmod>
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      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Frieze New York, 2025</image:caption>
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      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Frieze New York, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8a2df3c8-c645-49a2-9885-0eb798de9a80/Polly+Apfelbaum_Off+Grid.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Polly Apfelbaum, Off Grid, 2025. Terracotta and glaze, 58.4 × 43.2 cm. Courtesy Frith Street Gallery, London</image:caption>
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      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>A Hug From The Art World at Independent Art Fair, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7195a235-1df2-48d5-a06d-c1444855e054/d7hftxdivxxvm.cloudfront-54.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Eva Struble, Panamint, 2025. Acrylic and oil on canvas, 40 × 30 in (101.6 × 76.2 cm). Courtesy the artist and Jane Lombard, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6c1c2635-3b3a-4c0f-85f9-a776fc7fc0ca/NADA+NY0296-L.jpg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Saenger Galería at NADA New York. Courtesy Saenger Galería</image:caption>
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      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Sarah Bedford at Mrs.’s booth, NADA New York</image:caption>
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      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Lotus L. Kang, Installation view, 2025. Courtesy the artist and 52 Walker</image:caption>
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      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Installation view of Pirelli, let me count the ways [Part II] at Jane Lombard Gallery, New York. Photo credit: Adam Reich.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/265f4aa1-876e-4f78-9f79-ba747a8de614/theodora-allen-kasmin-install2025-0007.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Theodora Allen: Oak, installation view, Kasmin Gallery, New York. Courtesy the artist and Kasmin Gallery, New York</image:caption>
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      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Remix The Archive, installation view. Courtesy Dunkunsthalle, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d3d84cbf-fa67-4149-90ad-3c7741c8c254/0590957989ad10286af304514bb6c769.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Salman Toor, The Scroller, 2024. 16 x 20 inches (40.6 x 50.8 cm). Courtesy the artist and Luhring Augustine, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a6d51c88-8c89-4cf2-9278-245f2d2402f8/_MG_9741.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>Carl D’Alvia, Tandem, 2025. Courtesy the artist and HESSE FLATOW, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c8d5a818-1351-4fbe-93c6-00659e1de042/RuStillPaintin03.jpeg</image:loc>
      <image:title>Features - Highlights from New York Art Fair Week - Make it stand out</image:title>
      <image:caption>R U STILL PAINTING???, installation view. Courtesy FALCON Art Collective</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/interview-gabriela-salazar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/5b746ac5-8780-4c32-890a-f2acdbddbe5e/241106_GabrielaSalazar_2.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/4dc22744-7fae-418a-ad19-2c9f072bc79a/241022_GabrielaSalazar_3.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Gabriela Salazar, The sinkhole, Dinosaur Playground, 2024. Graphite on paper, 30 x 22 1/2 in (76.2 x 57.1 cm). Photo by Inna Svyatsky, Courtesy the Artist and Efraín López</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2f4290f8-54a6-4ae1-952f-9aa2e588fb76/241106_GabrielaSalazar_4.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/aa21eb68-521e-42f7-8985-4113178a0fc7/241106_GabrielaSalazar_8.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Gabriela Salazar, Compendium (1), 2024. Steel, aluminum, found steel plumb bob, 127 x 24 in (322.6 x 61 cm). Photo by Inna Svyatsky, Courtesy of Efraín López</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/cd3d22b1-fd67-4f3f-9895-698469454520/241106_GabrielaSalazar_5.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/6f41b7cc-2a11-460f-929b-9d42d2047074/241106_GabrielaSalazar_9.jpg</image:loc>
      <image:title>Features - Gabriela Salazar on Art, Loss, and Environmental Consciousness - Make it stand out</image:title>
      <image:caption>Installation view, No Shoulder, 2024, Efraín López, NY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/clare-woods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/42c4bc53-6c87-42c8-a765-a2fdd5f88de0/clare+woods+portrait.jpeg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life</image:title>
      <image:caption>Portrait of Clare Woods, 2023. Courtesy the artist; Royal Academy of Arts, London; and Stephen Friedman Gallery, London and New York. Photo by Anne Purkiss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/b3397b52-b48f-4752-ad0d-604a02f1d832/The+Victory+Garden</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'The Victory Garden', 2025. Oil on aluminium, 100 x 150cm (39 3/8 x 59in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/ef44daee-1b5a-4301-931f-c14f9d266236/250306_sfg_010.jpeg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods: A Kinder Time, installation view, Stephen Friedman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/adcc7988-8ed5-4e6a-804b-83208d6cf196/250306_sfg_003.jpeg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods: A Kinder Time, installation view, Stephen Friedman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2129ed66-911e-4569-948c-d48e7042339c/CLAR+51+Valley+Forge+1.jpg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'Valley Forge', 2024. Oil on aluminium, 200 x 200cm (78 3/4 x 78 3/4in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/fffcd1d2-4c9a-4147-8259-288f98f8d997/CLAR+55+Cold+Case+1.jpg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'Cold Case', 2025. Oil on aluminium, 90 x 70cm (35 3/8 x 27 1/2in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7d978769-cc58-44e0-8bde-12c2158a8a09/CLAR+53+The+Stand+1.jpg</image:loc>
      <image:title>Features - Clare Woods: The Multiplicity of Still-Life - Make it stand out</image:title>
      <image:caption>Clare Woods, 'The Stand', 2025. Oil on aluminium, 150 x 150cm (59 x 59in). Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/mark-yang-clubhouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/5fcdced1-76a0-4c0d-9700-8087c2cd94b4/Install-1+%281%29.jpg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body</image:title>
      <image:caption>Mark Yang, installation view, CLUBHOUSE. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0d02a913-3c75-4f08-b930-994b232cf78f/3895690574910a884f5055b6318cd2a7j-1.jpeg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, Analogous, 2024-25. Oil and charcoal on canvas, 76 x 50 in. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/621ddd5b-83dc-4863-b08e-6392d36a226b/d5e5c0f33218adc283c48a048ef7510ej-1.jpeg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, Picnic With a Sculpture, 2024-25. Oil and charcoal on canvas, 42 x 56 in. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/4f79b8e1-2afb-49f8-b8e2-b419dbfccff6/Install-3.jpg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, installation view, CLUBHOUSE. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0775ab02-20f7-42c4-8b47-f84c57774b45/d828687ac4ef8ae00e69fee12d38606dj.jpeg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, Yoga With a Sculpture, 2024. Oil and charcoal on canvas, 42 x 56 in. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d014ee06-695b-4b71-a990-4d18c08c8520/Install-5+%281%29.jpg</image:loc>
      <image:title>Features - Mark Yang: Exploring Vulnerability, Connection, and the Human Body - Make it stand out</image:title>
      <image:caption>Mark Yang, installation view, CLUBHOUSE. Courtesy the artist and CLUBHOUSE, Wellington, FL.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/xiao-wang-seeing-through</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/504eb912-5c4e-4e52-8f58-7ae3a330719f/001_hesseflatow_feb2025_bsm_5117.jpeg</image:loc>
      <image:title>Features - Anatomy of a Painting: Xiao Wang's Seeing Through</image:title>
      <image:caption>Xiao Wang, Seeing Through, 2024. Oil on linen, 50 x 100 inches (127 x 254 cm). Courtesy the artist and HESSE FLATOW, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/fd1611b8-25fe-4638-af10-1d66b19341d3/IMG_6736.jpg</image:loc>
      <image:title>Features - Anatomy of a Painting: Xiao Wang's Seeing Through - Make it stand out</image:title>
      <image:caption>Xiao Wang, Seeing Through, 2024, detail. Oil on linen, 50 x 100 inches (127 x 254 cm). Courtesy the artist and HESSE FLATOW, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/34c4774a-9bf1-417c-aaa5-de73d085a7f9/wang_seeing-through_install-6a.jpeg</image:loc>
      <image:title>Features - Anatomy of a Painting: Xiao Wang's Seeing Through - Make it stand out</image:title>
      <image:caption>Xiao Wang: Seeing Through, installation view, February 14 - March 15, 2025, HESSE FLATOW, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/owen-fu-ppow-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/09d6cfe4-1f71-476d-a3ea-14dd9a52856d/8b32d717ee6eea8a3c685d8dfb2b9086.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire</image:title>
      <image:caption>Owen Fu: Own Alone, installation view, P•P•O•W. Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/e5a8c61c-5ec4-4735-be89-ef0506a8409c/f4bdd2cc5cfe1338148bdef180957de2.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu, My Father’s Back, 2024, oil on canvas, 60 x 84 ins. (152.4 x 213.4 cm). Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2ca0d6ea-f76f-45b8-a72f-c54540e013ab/d4018e80c781e5917af0f03d9b5f0643.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu: Own Alone, installation view, P•P•O•W. Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/16468419-4956-423a-9dd0-fff8f244e71d/e2df0ea537904e0f57352462127192bf.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu: Own Alone, installation view, P•P•O•W. Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0456b190-6b8a-4334-8da3-04504b73abd8/4663c9dced6b653aa054804cfa74bd3e.jpeg</image:loc>
      <image:title>Features - Owen Fu’s Journey Through Memory and Desire - Make it stand out</image:title>
      <image:caption>Owen Fu, Untitled (Partridge 鹧鸪天), 2022, oil on linen, 42 x 42 ins. (106.7 x 106.7 cm). Courtesy the artist and P•P•O•W, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/olivia-gossett-cooper-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/b327d8d5-8402-4cba-b1a1-a5ade83de975/4CD39780-C6B3-4548-8AAB-6C94802A7CFC+%281%29.jpeg</image:loc>
      <image:title>Features - Olivia Gossett Cooper at The Empty Circle</image:title>
      <image:caption>Olivia Gossett Cooper: Forms of Dynamics, installation view, The Empty Circle, Brooklyn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/024f42a8-02a3-4ccd-a902-3d78a6808c71/IMG_7804+%281%29.jpeg</image:loc>
      <image:title>Features - Olivia Gossett Cooper at The Empty Circle - Make it stand out</image:title>
      <image:caption>Olivia Gossett Cooper: Forms of Dynamics, installation view, The Empty Circle, Brooklyn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/aa7d2615-4a65-4f7f-bbcc-23ea76898e11/DSC00526+copy+%282%29.jpg</image:loc>
      <image:title>Features - Olivia Gossett Cooper at The Empty Circle - Make it stand out</image:title>
      <image:caption>Olivia Gossett Cooper: Forms of Dynamics, installation view, The Empty Circle, Brooklyn</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/transforming-spaces-creating-narratives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/fc6fb9e0-a75f-48fd-89fa-44ed88d880ac/320_N35.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>Modern Art Oxford. Photo by Dan Weill. Courtesy David Kohn Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/5609d9fe-63a6-48f7-82bf-d9a235b080ef/320_N61.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives</image:title>
      <image:caption>Modern Art Oxford. Photo by Dan Weill. Courtesy David Kohn Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0dc20661-be4b-426d-b623-3e52e13cdc67/207_N247.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>Red House, RIBA House of the Year 2022. Photo: Will Pryce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a50ab67b-b4f9-49a7-8cb6-4cb64db61a67/327_N18.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>View from the proposed Collectihuis towards the SMAKhal. Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7cef1fbd-9586-44bc-85cd-b08eb2676fbc/327_N168+%281%29.jpg</image:loc>
      <image:title>Features - Transforming Spaces, Crafting Narratives - Make it stand out</image:title>
      <image:caption>The proposed redesign the SMAK Museum in Ghent, Belgium. Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/tschabalala-self-jeffrey-deitch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1bc5e580-0b7e-46a5-8890-09c30daba529/photo-joshua_white-jwpictures.com-4q6a2075-1000x667.jpg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c30c3b6f-cb39-4f5c-9be5-805dfbc569ef/photo-joshua_white-jwpictures.com-4q6a2127-1500x1000.jpg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/126e779a-7495-4244-b1a2-bdeed07d45da/01.jpeg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self, Dream Girl, 2025. Courtesy the artist and Jeffrey Deitch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c16ad6e8-09f8-421a-92ca-d1ffcb4f53c1/photo-joshua_white-jwpictures.com-4q6a2092-1000x667.jpg</image:loc>
      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
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      <image:title>Features - Tschabalala Self's Dream Girl at Jeffrey Deitch - Make it stand out</image:title>
      <image:caption>Tschabalala Self: Dream Girl, installation view, Jeffrey Deitch Los Angeles. Courtesy the artist and Jeffrey Deitch Los Angeles</image:caption>
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  <url>
    <loc>https://www.criticschronicle.com/features/emphatic-design-amdgk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven - Make it stand out</image:title>
      <image:caption>Robert Stilin and Sarah Gavlak. Photo by Tim Lenz.</image:caption>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven - Make it stand out</image:title>
      <image:caption>Living with Art and Design, a striking exhibition at the Ann Norton Sculpture Gardens in West Palm Beach. Photos by Tim Lenz.</image:caption>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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      <image:title>Features - A Match Made&amp;nbsp;in Art &amp;amp; Design Heaven</image:title>
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  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/from-beats-to-brushstrokes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c4dc514a-8d1f-41ac-bb52-769773897065/image3+%282%29.jpeg</image:loc>
      <image:title>Features - Brandon Deener’s Journey Through Sound and Color</image:title>
      <image:caption>Brandon Deener. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/291d4ca4-fef1-4694-8112-12364fe9ef4d/FJSR2348_WEB-photo-%C2%A9-Gregory-Copitet-2+%281%29.jpg</image:loc>
      <image:title>Features - Brandon Deener’s Journey Through Sound and Color - Make it stand out</image:title>
      <image:caption>Resonance à la Galerie 75 Faubourg, Paris, France. Photo : Grégory Copitet. © Brandon Deener.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/098c42f0-25b5-4746-a730-6f05e424248f/image1+%282%29.jpeg</image:loc>
      <image:title>Features - Brandon Deener’s Journey Through Sound and Color</image:title>
      <image:caption>Brandon Deener, Serenade The City, 2024. Oil on Canvas, 60 x 48 inches. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/dbe479db-59e5-4d6d-b085-c23b6382658e/image4+%281%29.jpeg</image:loc>
      <image:title>Features - Brandon Deener’s Journey Through Sound and Color - Make it stand out</image:title>
      <image:caption>Brandon Deener, Statuesque, 2024. Oil on Canvas, 72 x 60 inches. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8c4b0ead-b306-49a8-94b9-155cd72bfff0/image7.jpeg</image:loc>
      <image:title>Features - Brandon Deener’s Journey Through Sound and Color - Make it stand out</image:title>
      <image:caption>Brandon Deener, The Onliest Thelonious, 2024. Marker, Oil, Oil Wash and Pigment Stick on Canvas, 60 x 60 inches. Courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/shaun-pierson-portfolio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/fe60937d-eb18-4b04-a7f1-6796afd44805/DOCUMENT_Tiptoeing_WEB-THUMB_HEADER.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/82ab8ee6-55c2-4333-80c0-990a91ff919d/Pierson_Daisies%2B%282000dpi%29.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8b4b3072-deb4-4c63-a8a6-fb2adc7f5406/Pierson_Untitled%2B%28The%2BCowboy%29.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/7ee61daf-214a-49cd-bb6e-c868745d6cae/Pierson%2B%28Living%2BRoom%29%2B-%2BThesis%2BPrint.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/f19f7215-b9ca-4c73-9012-c2f17ca247e9/Seat%2BStain%2B%283000dpi%29.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/865c91dc-c33b-44c5-9ade-83cd1d733e2e/Pierson_Untitled%2B%28Cake%29.jpg</image:loc>
      <image:title>Features - Portfolio: Shaun Pierson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/allan-wexler-form-fiction-wbj9f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/774fad57-c6cb-44f5-bad3-50e8b2988855/JEAN-BAPTISTE+BERNADET+INSTALLATION+VIEWS+ARGB+2025_00000000-046c-7fc4-0000-00000001e08e.jpeg</image:loc>
      <image:title>Features - Painting as Process and Reinvention</image:title>
      <image:caption>Installation view of Jean-Baptiste Bernadet’s Successo Evidente (Hidden Tracks) at Almine Rech Brussels. Photo by Useful Art Services</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0e3b1875-d149-4310-8280-f1df13885c7c/JBE0457+BERNADET+2014_00000000-046c-7fc4-0000-00000001dd60.jpeg</image:loc>
      <image:title>Features - Painting as Process and Reinvention - Make it stand out</image:title>
      <image:caption>Jean-Baptiste Bernadet, Untitled (Briefly Gorgeous VIII), 2014 - 2024. Silkscreen ink on canvas (printed by Manor Grunewald Studio in Ghent), 120 x 100 cm (47 x 39 1/2 in). Courtesy the artist and Almine Rech</image:caption>
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    <image:image>
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      <image:title>Features - Painting as Process and Reinvention - Make it stand out</image:title>
      <image:caption>Installation view of Jean-Baptiste Bernadet’s Successo Evidente (Hidden Tracks) at Almine Rech Brussels. Photo by Useful Art Services</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/2e332c05-80fd-4eeb-8a82-5fe6a18ca071/JEAN-BAPTISTE+BERNADET+INSTALLATION+VIEWS+ARGB+2025_00000000-046c-7fc4-0000-00000001e087.jpeg</image:loc>
      <image:title>Features - Painting as Process and Reinvention - Make it stand out</image:title>
      <image:caption>Installation view of Jean-Baptiste Bernadet’s Successo Evidente (Hidden Tracks) at Almine Rech Brussels. Photo by Useful Art Services</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/nick-cave-artwork-month-february</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/1739469894741-OV6VF9WX3WBCDYHTZUL3/NC24.002_A_LR-1600-xxx_q85.jpg</image:loc>
      <image:title>Features - Artwork of the Month: Nick Cave’s Monumental Body</image:title>
      <image:caption>Nick Cave, Amalgam (Origin), 2024. Bronze, 309 5/8 x 201 x 227 inches. Courtesy the artist and Jack Shainman Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/caroline-coon-francesca-dimattio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/9d34c40a-c9b7-421e-aed5-e45f52fa6fcc/SFG_04.jpg</image:loc>
      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Installation: Caroline Coon and Francesca DiMattio, ‘Snapdragons’, Stephen Friedman Gallery, New York (2025). Courtesy Stephen Friedman Gallery, London and New York. Photos by Grace Dodds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/3f855c18-c613-48ec-9204-11bd1f7fd882/COON+76+Cunt+1+%281%29.jpg</image:loc>
      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Caroline Coon, Cunt, 1999. Oil on canvas, 76 x 61cm (29 7/8 x 24in). Copyright Caroline Coon. Courtesy the artist and Stephen Friedman Gallery, London and New York. Photo by Todd-White Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0c8fdf40-54dc-485d-b246-636c3c7d14e9/DIMAT+07+Teddybear+Caryatid+1+%282%29.jpg</image:loc>
      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Francesca DiMattio, Teddy Bear Caryatid, 2022-2025. Glaze on porcelain and stoneware, 236.2 x 99.1 x 78.7cm (93 x 39 x 31in). Copyright Francesca DiMattio. Courtesy the artist and Stephen Friedman Gallery, London and New York and Pippy Houldsworth, London. Photo by Karen Pearson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/06c30b08-61f0-4bdb-9014-b199f83278eb/SFG_02.jpg</image:loc>
      <image:title>Features - Radical Revisionists - Make it stand out</image:title>
      <image:caption>Installation: Caroline Coon and Francesca DiMattio, ‘Snapdragons’, Stephen Friedman Gallery, New York (2025). Courtesy Stephen Friedman Gallery, London and New York. Photos by Grace Dodds.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/ellen-siebers-portfolio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/d4633fa6-4d9a-43b9-b367-22a342e8427e/PH_ES_dream_2024.jpg</image:loc>
      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>Dream (2024)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a8737a47-7d66-4cfb-9286-0c0b11f4c7d8/ellen+skeletal+.jpg</image:loc>
      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>First Light (2024)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0eed3809-940b-4fb3-b389-def2901d72b1/Elle+Siebers+-+Cadet+Capela.jpg</image:loc>
      <image:title>Features - Portfolio: Ellen Siebers</image:title>
      <image:caption>Dreamer II (2024)</image:caption>
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    <image:image>
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      <image:title>Features - Portfolio: Ellen Siebers</image:title>
      <image:caption>Friendship (2024)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/a13e3fb4-4bbd-419b-90a6-e66827810829/Ellen+Siebers+Hands.jpg</image:loc>
      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>November (2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/c8db913e-51b3-42c4-b58b-9bec461d1821/PH_ES_redfruit_2024.jpg</image:loc>
      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>Redfruit (2024)</image:caption>
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    <image:image>
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      <image:title>Features - Portfolio: Ellen Siebers - Make it stand out</image:title>
      <image:caption>Bather (2024)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.criticschronicle.com/features/sky-glabush-living-canvas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-02</lastmod>
    <image:image>
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      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted'</image:title>
      <image:caption>Sky Glabush at Stepeh, 2024. Photo by Alejandro Jassan Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/57eafed4-f22c-404f-b129-d2a76de7cef5/File+8.jpg</image:loc>
      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush in his studio. Photo by David Hartman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/8f9e948a-57ce-441b-9943-782fdb96b0bd/File+6.jpg</image:loc>
      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush in his studio. Photo by David Hartman</image:caption>
    </image:image>
    <image:image>
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      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush, ‘The letters of this alphabet were trees’, 2024. Oil and sand on canvas, 274.32 x 213.36cm (108 x 84in). Copyright Sky Glabush. Courtesy the artist and Stephen Friedman Gallery, London and New York.</image:caption>
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      <image:title>Features - Sky Glabush's Living Canvas: 'When the Veil Is Lifted' - Make it stand out</image:title>
      <image:caption>Sky Glabush in his studio. Photo by David Hartman</image:caption>
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    <loc>https://www.criticschronicle.com/features/jessica-cannon-cosmic-landscapes</loc>
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    <lastmod>2025-02-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67aa7c481a0e5e2b04cf1e87/0eba42d6-58df-4e93-9342-1c1dee0646bc/Install-5_LO.jpg</image:loc>
      <image:title>Features - Jessica Cannon’s Cosmic Landscapes</image:title>
      <image:caption>Jessica Cannon: Eternal Geometries at GAVLAK, West Palm Beach. Courtesy the artist and GAVLAK.</image:caption>
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      <image:title>Features - Jessica Cannon’s Cosmic Landscapes</image:title>
      <image:caption>Suspension, 2025, acrylic and iridescent pigments on linen, 72 x 120 inches (182.9 x 304.8 cm). Courtesy the artist and GAVLAK.</image:caption>
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      <image:title>Features - Jessica Cannon’s Cosmic Landscapes - Make it stand out</image:title>
      <image:caption>Jessica Cannon: Eternal Geometries at GAVLAK, West Palm Beach. Courtesy the artist and GAVLAK</image:caption>
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